cinema
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The Eyes of Ghana
CINEMA: Through Chris Hesse’s recollections, Ghana’s post-independence archive becomes a record of liberation shadowed by the threat of political erasure.
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In The Opinion Of The Censor
CONTROL: An eye-opening glimpse into Ireland's history of cinema censorship, where a 1923 law allowing films to be cut, renamed, and banned according to «the opinion of the censor» remains, with amendments, on the Statute Book.
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RAI Film Festival 2025 sets 40th anniversary
The Royal Anthropological Institute (RAI) has officially opened ticket sales for its 2025 RAI Film Festival, an event that bridges #cinema, #anthropology, and critical public dialogue. Celebrating its 40th anniversary, the festival will take place in-person from 11 to 15 June at Bristol’s Watershed and Arnolfini cultural centres, followed by a month-long online edition accessible…
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Ancestral Visions of the Future
EXILE: Blending docufiction and philosophy, Lemohang Mosese redefines home, exile, and human interconnectedness through Ubuntu and radical decolonial storytelling.
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Let’s talk about Riefenstahl
IDEOLOGY: Leni Riefenstahl shaped a controversial legacy, prompting reflection on whether her work’s fascist ideals still resonate in contemporary culture.
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A dual journey of memory and resilience at Docudays UA
This year’s #Docudays UA# (31 May – 6 June) festival features two compelling programmes: DOCU/UKRAINE and DOCU/ART. Each presents unique narratives that delve into the heart of resilience, identity, and the preservation of memory. DOCU/UKRAINE: Chronicles of Resilience The DOCU/UKRAINE programme features five films that vividly depict Ukraine’s struggle for independence and the challenges faced…
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The liminal spaces of art and cinema
ART: Three DOKUARTS-screened films invite both the scholarly aesthete and the public intellectual to reevaluate the perennial dialogues at the intersections of art, cinema, and society.


