The Eyes of Ghana
CINEMA: Through Chris Hesse’s recollections, Ghana’s post-independence archive becomes a record of liberation shadowed by the threat of political erasure.
CINEMA: Through Chris Hesse’s recollections, Ghana’s post-independence archive becomes a record of liberation shadowed by the threat of political erasure.
CONTROL: An eye-opening glimpse into Ireland’s history of cinema censorship, where a 1923 law allowing films to be cut, renamed, and banned according to «the opinion of the censor» remains, with amendments, on the Statute Book.
The Royal Anthropological Institute (RAI) has officially opened ticket sales for its 2025 RAI Film Festival, an event that bridges
EXILE: Blending docufiction and philosophy, Lemohang Mosese redefines home, exile, and human interconnectedness through Ubuntu and radical decolonial storytelling.
IDEOLOGY: Leni Riefenstahl shaped a controversial legacy, prompting reflection on whether her work’s fascist ideals still resonate in contemporary culture.
This year’s #Docudays UA# (31 May – 6 June) festival features two compelling programmes: DOCU/UKRAINE and DOCU/ART. Each presents unique
CINEMA: More prescient than ever, Doclisboa’s «Documentary on the March» retrospective provide a blueprint for today’s documentaries for social change.
ART: Three DOKUARTS-screened films invite both the scholarly aesthete and the public intellectual to reevaluate the perennial dialogues at the intersections of art, cinema, and society.
MDOC: Modern Times Review spoke with photographer and filmmaker Maythem Ridha on his experiences as an Iraqi in the UK, journey to film and photography, favourite Middle Eastern films, and more.
Director and writer #Mark Cousins# will be honoured with the prestigious Honorary Heart of Sarajevo Award at the 29th Sarajevo
Anthropology: On a new, participatory, inclusive artistic anthropology.