Silver Natalia Koniarz

Ji.hlava 2025: The complete winners

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The 29th Ji.hlava International Documentary Film Festival ran in Jihlava from 24 October to 2 November 2025, showing more than 300 films across ten days.

Ji.hlava 2025 winners

Opus Bonum

  • Main Award: Natalia Koniarz, Silver
  • I. Special Mention: Jean Boiron-Lajous, Abysses and Wonders
  • II. Special Mention: Hilary Powell, Dan Edelstyn, Power Station
  • Best Central and Eastern European Documentary: Lisa Polster, Bürglkopf
  • Best Documentary in the Visegrad Region: Natalia Koniarz, Silver
  • Award for Original Approach: Diego Hernández, Skyless Roof
  • Best Editing: Xavier Sirven, Abysses and Wonders
  • Best Cinematography: Stanisław Cuske, Silver
  • Best Sound Design: Henry Sims, The Beauty of the Donkey
  • Student Jury Award: Peter Mettler, While the Green Grass Grows: A Diary in Seven Parts (Parts 1–4)

First Lights

  • Main Award: Yudi Zhu, So Close, So Far
  • Special Mention: Karel Malkoun, The Cats, the Sea, and Everything Between.
  • Best Cinematography: Ludmila Cimbůrková, Maja Penčič, Minimum Love
  • Original Approach: Raaed Al Kour, Taste of Salt

Testimonies

  • Main Award: Sammy Baloji, The Tree of Authenticity
  • Special Mention: Amber Fares, Coexistence, my Ass!
  • Special Mention — Best Film on Politics: Joanna Grudzinska, Poland versus History
  • Special Mention — Best Film on Knowledge: Åse Svenheim Drivenes, Teenage Life Interrupted

Fascinations

  • Main Award: Fredj Moussa, Land of Barbar
  • I. Special Mention: Mario Blaconà, Transparencies
  • II. Special Mention: Paula Malinowska, Branching Light and Flickers of a Dawn

Exprmntl.cz

  • Main Award: Nebe Motýlová, tiny film about rape
  • Special Mention: Zbyněk Baladrán, The Totalitarian Society of the Image

Audience Award

Czech Joy

  • Main Award: Vitaly Mansky, Time to the Target
  • Special Mention: Martin Trabalík, What About Petey?
  • Best Editing: Michal Böhm, Unborn Father
  • Best Sound Design: Martin Stýblo, Kapralova
  • Best Cinematography: Martin Kollár, Chronicle
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