When cinema is politics
SUDAN: Exploring the importance of cinema for democracy.
SDI: Executing contrasting styles, two films from the 2019 Scottish Documentary Institute «Bridging the Gap» program showcase SDI’s admirable geographical balancing-act
RUSSIA: Though the communist era may be over, the ideology of serving the motherland is still very much alive as an ideal for indoctrination.
AFRICA: Sakawa uses beautiful portraiture to tell a story of Ghana’s enterprising young adults who hope to make a living by learning how to scam on the Internet.
RUSSIA: The dreamlike beauty of Ksenia Okhapkina’s concise film connects the subtle mechanisms of control in a former Gulag town.
COMEDY: Following two characters on the fringes of New York City’s stand up circuit, Hysterical depicts personalities who may very well be more peculiar than their acts.
MIGRANTS: An uneven book about people who move with a desire for a better life but encounter problems when they move «home» again.
MEDIA: Analyzing contemporary social media practices likes fake news, Geert Lovink looks toward a possible end to «platform nihilism».
ISRAEL: A different kind of coexistence is happening on a beach, a bit off the beaten track in secular and pluralistic Tel Aviv.
CONFLICT: In the capital of a country that only seems to get international attention when suicide bombs claims lives, director Aboozar Amini offers a fly on the wall glimpse into life as the locals live it.
ECOLOGY: The making of this film is itself an integral part of a drama involving the Chinese mafia, Mexican fishermen pushed into crime, fearless activists, frightened policemen and a rare species of mini whales.