He has a background as newspaper and magazine editor – for 30 years. He is the editor of our ‘cinepolitical’ documentary magazine Modern Times Review (since 2017).
From 2015-2027 he has been editor/publisher of NY TID (modern times), a Norwegian quarterly non-fiction printed book magazine.

HISTORY: Previous publisher and editor-in-chief of Morgenbladet in Oslo (1993–2003) and Le Monde diplomatique (2003-2013). He was also previously editor of the magazine DOX at EDN for 4 years. Here an old selection will be available in some time (Norwegian/English)…

Latest articles in Modern Times Review:

  • SHEFFIELD 2012: Self Shooters

    What impressions of the documentary industry can 100 seminars in one week at the festival DOC/FEST give?

  • EYAL SIVAN: A common state solution

    The Israeli filmmaker, Eyal Sivan, prefers to make films about perpetrators, rather than victims. In his most recent film, Common State, he advocates a one-state solution for Israel. DOX met him in Thessaloniki.

  • SHorter!

    In this issue of DOX we have two feature articles on short docs (pages 8-12), and a bundled DVD with seven shorts

  • – We need a new Oslo Agreement

    PALESTINE: Eyal Sivan prefers to make films about the oppressor rather than the status quo. With his latest film, Common State

  • EYAL SIVAN: We Need a New Oslo Agreement

    Eyal Sivan prefers to make documentaries about the perpetrator rather than the victim. His latest film, Common State, advocates a one-state solution in Israel. Truls Lie met Sivan in Tessaloniki.

  • JAY ROSENBLATT: The human condition – a sense of loss

    Why is the Jewish filmmaker Jay Rosenblatt from San Francisco so obsessed with loss and death in his films? His many films are like collage essays, usually comprising archive material. As a filmmaker, has he been ahead of his time? And as programming director of a Jewish festival, how does he cope with Jewish history?

  • BEIRUT 2011: Docudays

    Revolutionary spirit in a festival held in a tense city.

  • BERLIN 2011: What matters in Berlin

    Cinema for Peace addressed the unbearable heaviness of being. Also over the course of the Berlinale festival, the ambivalence towards social issues was explicit, as DOX’s Truls Lie experienced himself.

  • Dimitri Eipides: When ethics is a must

    FAREWELL: The Thessaloniki International Film Festival and its people bid farewell to Dimitri Eipides. We republish our interview in honour of his life works – from when he received the 2011 EDN award 2011. In this interview, Truls Lie speaks with Eipides about movies that matter, action, sabotage and ethics.

  • Refugees, aestheticized

    Can a refugee in a film become too aesthetic, losing his ethical relevance?

Some favourite essays:

The Specific Intellectual

Is the role of intellectuals sometimes taken over by reflected filmmakers – and those old…

In memory of Marker

The exhibition A Grin without a Cat currently displayed at Kunstnernes Hus in Oslo bears a…

A loveless technology

MODERN TECHNOLOGY: Our digital civilisation is more dependent than ever on artificial and technological stimuli.
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