DOCAGORA 2007: Dead Ducks and Digital Dust
DocAgora events promise to be at the forefront when it comes to talking about the digital future of documentaries
DocAgora events promise to be at the forefront when it comes to talking about the digital future of documentaries
The title refers to a favourite Uyghur pastime, and, of course, is a good metaphor for their situation as a people.
Bruno Ulmer’s haunting documentary “Welcome Europa” adds an aching testimony to the list of films on immigration to the “fortress” of Europe
The Japanese doc “Campaign” premiered in Berlin and is now on a tightly-booked festival tour round the world. DOX met the director Soda Kazuhiro at SXSW in Austin, Texas.
The social profile is strong at Cinéma du réel, which for the 29th time offered cinematically strong pieces of reality from around the world
Arte has launched “Faces of Europe”, an impressive series of half-hour docs documenting how we live, broadcast each weekday at 6.30 p.m.
By contrast with most other European public service channels, Arte still keeps flying the European flag of culture.
The city of Leningrad and the blockade during the Second World War. No words. No music. Only sounds and black and white images of a dying city.
The film’s title announces two central characters: Mr Vig, an old, quirky Dane who dreams of having his derelict castle turned into a Russian Orthodox monastery, and Sister Ambrosija, the tough but all-smiles representative of the Moscow Patriarchate who is called in to take over the estate from Vig.
For the first time ever, a Syrian documentary project was pitched at the Amsterdam FORUM and was one of the most successful pitches to boot. Broadcasters queued up to land a deal with Proaction (the Syrian production company) and Final Cut (the Danish co-producer)
“The Smoking Room” is filmed solely in various smoking rooms: a train’s smoking compartment and smoking rooms at a hospital and a factory