Arunas Matelis, one of Lithuania’s most original documentary directors, takes a personal, playful approach to filmmaking.

Tue Steen Müller
Previous founder/editor of the DOX magazine.
Published date: November 28, 2005


1258110915zeme DOX marks the release of his latest masterly film Before Flying Back to the Earth by drawing a portrait.

This article is written by a very good friend of Arunas Matelis. I know him and his lovely family very well and they in turn characterize me as “The Man from Legoland” whenever they go to Denmark. I have stayed in touch with Matelis ever since I first met him in the early 1990s on the island of Bornholm at the Balticum Film & TV Festival. I know that DOX’s editor dislikes this gonzo-kind of introductory confession but this was done to warn you about the friendly tone being used to write about a filmmaker with his own personal style and integrity.

The first film by Arunas Matelis I ever saw was Ten Minutes before the Flight of Icarus. It was made in 1990 just before the changes that led to the collapse of the USSR and the founding of Lithuania’s independence. The 10-minute film reflects this transition perfectly in its meditative rhythm and powerful, metaphoric language. It was an important film that was later called the manifesto of a young generation of Lithuanian filmmakers (other names are Audrius Stonys, Valdas Navasaitis, Vytas Landsbergis) who during the ’90s cultivated the short, poetic documentary film shot on 35mm.

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Ten Minutes before the Flight of Icarus

If this film at that time could be interpreted as a statement of the time showing people waiting for something to happen, today it is a film about the location of the shooting, the Republic of Uzupis, a special part of the old town of Vilnius. According to Matelis himself, the film changed Uzupis completely as he was the first to bring in the camera. It became an attraction for local and international filmmakers to come and shoot their film in the Republic. Uzupis became a bit like …


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