identity

  • Last Letters From My Grandma

    Last Letters From My Grandma

    IDENTITY: From Moldova to the southern Urals to Spain, Last Letters from My Grandma links family loss to larger political fractures, asking what peace costs and who pays.

  • Fighter

    Fighter

    IDENTITY: After a dockside dive leaves MMA fighter Geir Kåre Cemsoylu Nyland facing paralysis, Fighter tracks his two-year recovery and a candid reckoning with toxic masculinity.

  • Militantropos

    Militantropos

    UKRAINE: From mass graves to choral singing, images traverse Ukraine’s landscapes, questioning identity while war normalises behaviours unimaginable.

  • Ghosts of the Sea

    Ghosts of the Sea

    IDENTITY: Through memory, myth, and recovered archives, a filmmaker reckons with a father’s legacy and the brother lost to his shadow.

  • 19th ethnocineca to open with intimate portrait of war, memory, and displacement

    19th ethnocineca to open with intimate portrait of war, memory, and displacement

    The 19th edition of #ethnocineca – International Documentary Film Festival Vienna will open on 8 May 2025, with the Austrian premiere of Home Game by #Lidija Zelovic#. The festival, which runs through May 14 at Vienna’s Votiv Kino and Kino De France, brings a thematic focus on «Hauntings»—a reflection on how history lingers in personal…

  • Time to the Target

    Time to the Target

    UKRAINE: Lviv, a city caught between everyday life and an unending funeral procession during war.

  • To Be Continued. Teenhood

    To Be Continued. Teenhood

    ⁣Adolescence: A layered portrait of adolescence, To Be Continued. Teenhood explores Latvia’s rural-urban divide, cultural identity, and the universal challenges of growing up.

  • Becoming Outline

    Becoming Outline

    IDENTITY: Confronting the shame of poverty, domestic violence, and the pursuit of self-liberation through education and art.

  • «The role of cinema becomes more crucial each year as we find ourselves in individual echo chambers…»

    «The role of cinema becomes more crucial each year as we find ourselves in individual echo chambers…»

    MOVIES ON WAR: In our interview, festival director Øystein Egge reflected on curating this year’s compelling focus on #Gaza and the #Middle East, the role of cinema in our polarised age, and the festival’s role in fostering critical conversations through it.

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