IDFA

  • Humanitarian catastrophe

    Humanitarian catastrophe

    UKRAINE: War’s ceaseless, painful impact on society and family.

  • The destructive borders of European self-interest

    The destructive borders of European self-interest

    MIGRATION: At the entrance to the Sahara, Agadez, Niger, reveals the human cost of EU migration policy.

  • dok.incubator unveils eight compelling documentaries at IDFA preview showcase

    dok.incubator unveils eight compelling documentaries at IDFA preview showcase

    On Sunday, 17 November, #dok.incubator will present a preview of eight new documentaries at Amsterdam’s LAB 111 as part of #IDFA. This exclusive showcase highlights a selection of feature-length films exploring topics from individual struggles and cultural shifts to geopolitical tensions and social transformation. The 2024 lineup includes emotionally charged stories, such as Always, about…

  • The war games we, the people, play

    The war games we, the people, play

    CONFLICT: A high-stakes, six-hour simulation where veterans navigate complex choices, aiming to prevent a fictional civil war amid insurgent threats.

  • The endurance of the ordinary

    The endurance of the ordinary

    UKRAINE: Olha Zhurba's meditative take on the war avoids frontline images to show how the conflict affects ordinary people.

  • NATO vs. nature

    NATO vs. nature

    MILITARISM: A nuclear family's high-tech dissolution.

  • Chilean documentaries to make strong showing at IDFA 2024

    Chilean documentaries to make strong showing at IDFA 2024

    Chilean filmmakers and production companies are preparing for a strong representation at the 37th International Documentary Film Festival Amsterdam (IDFA), taking place from 14 to 24 November, 2024. With selections in multiple categories, Chile’s entries reveal a broad thematic range. Key Films in Competition Leading the Chilean slate is The Fabulous Gold Harvesting Machine, chosen…

  • Commercial politics

    Commercial politics

    ADVERTISING: Radu Jude’s latest weaves commercials from the past 35 years, creating a disorienting critique of capitalist culture, advertising, and national identity in post-communist Romania.

  • «We need to create a space where people with different positions are willing to have an open debate and talk with each other in a civilised manner»

    «We need to create a space where people with different positions are willing to have an open debate and talk with each other in a civilised manner»

    DOK LEIPZIG: Christoph Terhechte provides insights into DOK Leipzig’s curatorial approach, its role within the European festival landscape, and its ongoing dedication to celebrating diversity and thought-provoking perspectives in documentary.

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