Cover-Up
JOURNALISM: Seymour Hersh and the Socratic sting.
ACTIVISM: From Chicago 7 to Columbia, The Encampments shows how protest is reframed as threat, as language like terrorist and «anti Semite» is used to silence dissent.
Doclisboa has announced a cross-arts lineup linking cinema with pop and performance. In «Heart Beat», Stéphane Ghez’s Welcome to Lynchland