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Vittorio De Sica

roberto Rossellini-documentary-featured

Women Power

Melita Zajc / September 13, 2020

BIOGRAPHY: Subtly assembled, minimalist praise of the goodness and beauty, intelligence and power of the female members of Roberto Rossellini’s families.

Alessandro Rossellini, biography, DOK.fest München, India, Ingrid Bergman, Maria Teresa Tringali, neorealism, Raffaele Brunetti, Roberto Rossellini, The Rossellinis, Visions du réel, Vittorio De Sica

The houses we were, the cities we are

Neil Young / November 24, 2018

Two important but very different documentaries from 2018 showcase the power of the short film form.

AAMOD, Archivio audiovisivo del movimento operaio e democratico, Arianna Lodeserto, artist, Bicycle Thieves, blues, capitalist, capitalist adversity, capitalists, Cesare Zavattini, cinema, communist, Communist Party, corruption, dialogue, ecology, Edinburgh International Film Festival, essay, European Film Festival Palić, eviction, exhibitions, exploitation, Francesco Rosi, Hands Over the City, History Film Festival Rijeka, ironic, Italy, Japanese, kaleidoscopic, miniatures, Modern Times Review, montage, nocturnal, Ny Tid, oppression, Philosophical, photographic, photography, Rome, short documentaries, short films, slow cinema, The Houses We Were, Tokyo, Ugo Adilardi, urban, Vittorio De Sica, Yuka Sato

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september, 2026

MODERNTIMES

Modern Times Review is the European cinepolitical documentary film platform and web publication that reviews international documentaries and non-fiction books, and publishes essays/commentaries. Our international editorial focus is threefold: politics (power, conflicts, and the military industrial complex), control (state, surveillance, finance, and big tech), and ecological/existential issues.

© Modern Times Review 2017–2026

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