The winners’ recollection

A nation’s collective recollection forms its expectations. A dialogue between past and presence is implicit in Patrico Guzman’s films on Chile’s recent past, whilst Mexico’s Diego Gutiérrez and Sarah Polley from Canada discuss their own and parents’ memories. The truth is cleansing, but we all need interpretations or rewrites in order to cope with the all too real.

, , , , , , , ,
Scroll to Top