By using production of tomato paste as an example, The Empire of Red Gold gives an astonishing insight on the uncomforting workings of globalism, and the means of production that has up until now never been revealed.
The thought provoking realities of Jayisha Patel’s shortfilm Circle, stands in stark contrast to the realities of the cotton-picking corner of Alabama – portrayed in Maris Curran’s short While I Yet Live.
AFRICA: Over the past three years, Hilary Matfess has interviewed a number of women who have been liberated from Boko Haram in northern Nigeria. She challenges the reader to refine their perception of the group.
Turkey’s women’s festival may be a drop in the ocean of the poisoned patriarchy that pollutes the world, but its part of a current that is growing in power, pace and spread.
Hotel Jugoslavija appears as a mirror image of the Yugoslav glory and downfall, symbolised by the once grand and luxurious hotel in the capital of a country that ceased to exist.
The Waltz of Waldheim poses the question whether a fascist threat suppressed and unexamined on a national scale has ever really been defeated.
There’s more that goes on at the Sundance festival beyond traditionally formatted film – this year VR was the biggest buzzword.
A timely documentary about the horrific rape and compelling bravery of Recy Taylor.
Solitude is an occasionally interesting reflection on the many qualities of loneliness in a time where we’re almost always connected with others.
Sergei Loznitsa’s most recent film contrasts the sombre with the celebratory at the yearly pro-Russia gathering on Victory Day at the Soviet Memorial in Berlin.
By cutting the principles of capitalism to the bone and by using language that is straightforward, Yanis Varoufakis pulls out the essence of modern economy.
Serbian cinema takes a leap onto the world stage with the programme presented at the international film festival Visions du Réel’s Focus Serbia.