PHOTOGRAPHY: For almost 50 years, the photographer Eugene Richards has documented a variety of destinies, from crack addicts to people in emergency rooms and psychiatric hospitals. What has driven him?
The hard times in Mosul are not over. The city that lived three years under Isis is now faced with a destructed infrastructure – on both a physical and social level.
Cinema Futures is both a poetic farewell to a disappearing medium and a complex analysis of the mixed aspects of digital revolution.
Recently opened archival material from Saddam Hussein’s Iraq paints a different picture of the brutal dictatorship.
In quite different ways, two award-winning Nordic documentaries focus on war zones in other parts of the world outside of the Nordic region.
Three films draw a line between war and a parallel world, not of peace, but of a kind of limbo upon which war encroaches or that exists alongside the fighting.
Kurdish Peshmerga-fighters are fighting against ISIS in Northern Iraq. If they are able to show that they are a source of stability in the region, they will be able to garner more support for their freedom fighting, believes controversial philosopher and documentarist Bernard-Henri Lévy.
As a British diplomat, Carne Ross worked for a government that invaded both Afghanistan and Iraq.
WINNER AT IDFA: When Nori Sharif is given a video camera by director Zaradasht Ahmed to record life in a small Iraqi town, following the US withdrawal at the end of 2011, he decides to film people who “nobody knows about.”
Is all the talk about ‘national priorities’ in the aftermath of hurricanes, coups, and wars, usually just a cover for the imposition of the of-the-shelf policies of neoliberal economics? And is the US response to Haiti following this same form?
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