Werner Herzog: «Facts do not constitute the truth»
Acclaimed German film director Werner Herzog talks about his most recent film Meeting Gorbachev, while also warning against trying to articulate the truth in precise terms.
Acclaimed German film director Werner Herzog talks about his most recent film Meeting Gorbachev, while also warning against trying to articulate the truth in precise terms.
«It’s the strangest kind of documentary where the main character was not real but everybody else was», says Eugene Richards about his new film Thy Kingdom Come.
OPPRESSION: The new documentary Spaces of Exception draws parallels between the experiences of oppression and resistance in Native American reservations and Palestinian refugee camps.
But Now is Perfect tells the story of how a small local village in the south of Italy opened up their community and welcomed refugees seeking a better future in Europe. But it is also a story about loss and tragedy.
The Haitian goat Britis proves an excellent mute guide at the Grand Cimetière in the Haitian capital Port-au-Prince, squeezing through narrow passageways as he inquisitively scurries from crypt to crypt.
PHOTOGRAPHY:For almost 50 years, the photographer Eugene Richards has documented a variety of destinies, from crack addicts to people in emergency rooms and psychiatric hospitals. What has driven him?
In Letter to Theo, French director Élodie Lélu revisits Angelopoulos’ unfinished film, reminiscing on their collaborative work on the project that was in some ways prophetic of the present-day Greece.
PHILOSOPHY: The central argument in The Neganthropocene is that the world is at risk of lapsing into a nihilistic state, as our failure to care for it becomes ever more manifest. But the challenge Stiegler takes upon himself is to show the way to an alternative anthropology.
AFRICA:: Religion gets too much room in analysis of African conflicts, states state scientist Jean-François Bayart.
Two newcomers stood out from the crowd at this year’s Underdox in Munich. Sec Rouge – one of 2018’s most striking, accomplished and beautiful films of any length – and the seminal and glowingly delicate 48-minute film, Accession.
The Artist & The Pervert is a somewhat atypical portrait of an artist that tells less about composer Georg Friedrich Haas’ microtonal music then it does about his BDSM-based relationship with his wife.
Loznitsa’s journey through the Donbass region is composed of a series of crazy adventures in which the grotesque and the tragic merge.